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At
the Studio Theatre. City
of Manchester Opera showcase their
chorus of talented soloists in a fully-staged
contrasting triple-bill with piano
and organ accompaniment. Sicilian
rustic chivalry in the one-act Cavalleria
Rusticana, sung in Italian with surtitles,
contrasts with the cosmopolitan sophistication
of both Act I of Così and Act
III of Figaro, both performed in English.
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At
the RNCM Theatre. Features
unplugged performances from Jarvis
Cocker, Badly Drawn Boy, I Am Kloot
and Stephen Fretwell plus special
guests and featuring DJ Mark Riley.
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At
the RNCM Theatre. Raw, intense
and cynical The Threepenny Opera is
credited to be one of the greatest
theatrical works of the twentieth
century. This masterpiece is a tale
of justice, greed, charity, pretension
and misused love. Written by Bertolt
Brecht & Kurt Weill based on The
Beggars Opera by John Gay. This musical
satire set in the gritty underworld
of London’s Soho is sure to
be a celebration of Brecht’s
most famous and highly acclaimed pieces.
There is a signed performance on the
21st & 2.30pm matinee on the 25th.
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Described
by conductor Sir Roger Norrington
as ‘a wonderfully talented young
quartet’, the Chiaroscuro Quartet,
led by BBC Radio 3 New Generation
Artist Alina Ibragimova, specialises
in performing music from the Classical
period – that’s roughly
Haydn to Schubert. Tonight’s
concert opens with one of the most
prolific writers of chamber music,
Luigi Boccherini. His music is full
of Rococo charm, lightness and optimism,
coupled with hints of the guitar sounds
of his adopted Spain. Completed on
the last day of 1782, Mozart’s
quartet is the first in a set of six
dedicated to Haydn. The music sparkles
with energy and colour. According
to Beethoven his String Quartet in
F minor was ‘written for a small
circle of connoisseurs and is never
to be performed in public.’
Why? because the piece would have
been quite out of character in 1810
and experimented with compositional
techniques he was to use much later
in life. This performance has been
prepared during an Aldeburgh Residency.
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At
the RNCM Concert Hall. Trumpeter
Mathias Eick, in the first album released
under his own name, focuses all the
qualities that have made him a musician
to be reckoned with in and around
jazz of the last decade. The Door,
on the ECM label, is distinguished
by a vaulting lyricism and clear-edged
melodies, a strong sense of ambient
space in the writing, plus a lot of
edge and excitement. The 28-year-old
Norwegian cites Miles Davis, Clifford
Brown, Kenny Wheeler, Tomasz Stanko,
Arve Henriksen and Nils Petter Molvaer
as his influences, yet The Door also
confirms that Eick has found his own
characteristic and readily-identifiable
voice. «
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At
the Studio Theatre. Anything
Goes is a 1930s musical comedy set
on board the “SS American”.
With a lively cast, some of Cole Porter’s
most memorable tunes including You’re
the Top and I Get a Kick out of You,
a hilarious script and spectacular
musical numbers, you’ll certainly
be entertained on this transatlantic
voyage. «
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At
the RNCM Concert Hall. Two
masterpieces lie at the heart of this
programme – Bach’s so-called
Double Concerto and Mozart’s
Symphony No 25. Bach’s concerto
demonstrates the composer’s
inventive gifts, with its two solo
lines ducking and diving around each
other with a natural, playful ease.
Mozart’s Symphony, celebrated
in the opening titles of the film
Amadeus, is one of his inspirational
G minor works, its colours amplified
by four horns and large winds. Trumpet
fanfares by Schmelzer and a series
of dance movements by Muffat add to
the European flavour of this celebratory
programme. The RNCM Collection of
Historic Musical instruments will
be open between 5.30pm and 7.00pm.
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At
the RNCM Theatre. Lisa Hannigan
is an Irish singer, actress and multi-instrumentalist.
Her music has led to much success,
critical praise, airplay and award
nominations in her native land and,
more recently, in the United States.
Hannigan is best known for having
accompanied the highly successful
singer-songwriter Damien Rice. Since
leaving him, she has begun her own
career with her debut album Sea Sew
spawning the hit single "Lille",
a Choice Music Prize nomination, two
Meteor Music Awards nominations and
praise from fellow musicians. «
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At
the RNCM Theatre. Best known
for her songs Brand New Key and What
Have They Done to My Song Ma, Melanie
has performed and recorded since the
1960s and sold a staggering 80 million
records. Her warm and passionate voice
has graced the great stages of the
world – the first rock soloist
to perform at Carnegie Hall and at
the Metropolitan Opera House. An appearance
at the original Woodstock Festival
cemented her reputation and her fans
started the cult of holding aloft
candles and matches. «
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At
the RNCM Theatre. Naturally
7 bring together gospel, doo-wop,
beat-boxing and soulful R&B, and
call the results ‘vocal play’
- their astonishingly versatile voices
provide not just the lyrics, melodies
and harmonies, but every musical instrument
in every spectacular performance.
YouTube has been their major showcase
- their exuberant vocal display on
the Paris metro has already been seen
by over two million people - but finally
they're touring Britain with a new
album Wall of Sound. «
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At
the Studio Theatre. The North
of England 1964 - Mary, nineteen and
expecting a baby, is sent to an institution
for unmarried mothers. As she tries
to make friends with the other girls,
she must also face the harsh realities
of coping with the decision of giving
her baby up for adoption. This is
a moving, often humorous and acutely
written piece of drama set to a soundtrack
of sixties girl groups such as The
Shangri-La’s and The Ronettes.
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At
the RNCM Theatre. Michael
Berkeley and Ian McEwan’s new
opera for Music Theatre Wales is a
thrilling tale of dark obsession and
misplaced passion. Coming to Manchester
after sell-out shows at the Royal
Opera House’s Linbury Studio,
at the centre of For You are Maria
and Charles: she, the deluded Polish
housekeeper - all disquieting diligence
and dangerous desire; he, the maestro
- charismatic, egocentric and completely
oblivious to the growing turmoil around
him and the utterly operatic chaos
about to be unleashed at the very
heart of his household… «
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